Free PDF The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe
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The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe
Free PDF The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe
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Review
"I'll forever be grateful to musician/physicist Stephon Alexander.... He'll help you see how our awe-inspiring universe is on a never-ending, cosmological riff."―Felix Contreras, NPR, "Best Books of 2016""Interwoven with solid physics and personal anecdotes, the book does an admirable job of bringing together modern jazz and modern physics."―Physics World, Shortlisted for "Book of the Year (2016)""Marvelous."―New Scientist"[Alexander] gives an engaging account of his uncertainties and worries as he made his way in the highly competitive world of theoretical physics, seeking to acquire the 'chops' needed to deal with the formidable mathematics of his day job along with those needed to solo on the sax after dark.... Mr. Alexander's rhapsodic excitement is infectious."―Peter Pesic, Wall Street Journal"In the most engaging chapters of this book -- part memoir, part history of science, part physics popularization and part jazz lesson -- Dr. Alexander ventures far out onto the cutting edge of modern cosmology, presenting a compelling case for vibration and resonance being at the heart of the physical structure we find around us, from the smallest particle of matter to the largest clusters of galaxies.... His report on the state of research into the structure and history of the universe -- his own academic field -- makes for compelling reading, as does his life story."―Dan Tepfer, New York Times"The book's attempt to bring together modern jazz and modern physics strikes me as admirable.... It is an intriguing comparison, and it certainly seems fresher than drawing analogies between classical music and classical physics.... Time to put on some Coltrane and riff some new research ideas?―Trevor Cox, Physics World"Groundbreaking.... [Alexander] illustrates his points with colorful examples, ranging from the Big Bang to the eye of a galactic hurricane."―Down Beat
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About the Author
Stephon Alexander is a professor of physics at Brown University and the winner of the 2013 American Physical Society Edward A. Bouchet Award. He is also a jazz musician and released his first electronic jazz album with Erin Rioux. Alexander lives in Providence, Rhode Island.
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Product details
Paperback: 272 pages
Publisher: Basic Books; Reprint edition (December 5, 2017)
Language: English
ISBN-10: 0465093574
ISBN-13: 978-0465093571
Product Dimensions:
5.5 x 0.8 x 8.2 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
58 customer reviews
Amazon Best Sellers Rank:
#14,287 in Books (See Top 100 in Books)
I cannot say enough good things about this book. It was quite amazing to follow Dr. Alexander's journey to the world of physics through the lens of jazz. I have read review with people complaining about the book being autobiographical or even jumping subjects. That actually is what makes this book so interesting to read. I learned some new aspects of physics, it helped strengthen other elements of physics I had heard about in the past, and it was a pleasure to read about his journey into physics, starting with the first trip to the museum and seeing a display of Albert Einstein.I would highly recommend this book to those with a novice based love of physics, those who love both music and science, and as an amazing way to aspire children, teens, and young adults to reach for their goals in their own unique way. I love that his journey was his and not limited to a one way, boring, pre-charted road.
Although I'm a guitarist with over 40 years professional experience in jazz and other American musical idioms, I don't feel qualified to assess The Jazz of Physics by Stephon Alexander. Hence, the 3 star review, by which I mean my neutrality as to the book's qualities.The question needs to be asked for whom this book was written. A serious musician could not comprehend it fully without also having a thorough understanding of both physics and calculus. I have some college education, but unfortunately not those subjects.Chapter 8: The Ubiquity of Vibration contains several complex graphs and equations, for which it is assumed the reader understands all the math symbols used. I'm not sure what books I would need to study to understand it, but nearly all of Chapter 8 is incomprehensible to me. The book's notes don't explain the equations or the Fourier transform any more than the text does.I love the concept that the universe behaves like a musical instrument, but I have no understanding why the author believes this may be the case.If you are more musician than scientist or mathematician, you might want to read How Music Works by John Powell for a read geared more towards the general reader.
A unique and personal take on 'The Meaning Of It All' physics. Alexander's use of memoir to... hold on... I met Stephon Alexander in 2005 while doing research for a screenplay; he was at the Stanford Linear Accelerator (SLAC). Since then I wrote a memoir in which Stephon appears. Here's a bit of it:...I need to explain why I think Stephon Alexander is a special humanbeing, and if you hang in you’ll see how this connects to other things.When we sat down for our interview at Stanford, the first thing I toldStephon was that I’m a dilettante. Stephon stopped me. “That word,†hesaid. “What does it mean?â€â€œDilettante?â€â€œYes. What does it mean?â€I told him it means that I know just enough about theoretical physics tomake a fool of myself in talking to an actual theoretical physicist.“How do you spell it?â€I didn’t really know. I told him there are some “l’s and “tâ€s but I didn’tknow how many of each, plus there is an “i†somewhere and at least one“e.†Stephon was nodding, taking this in, filing it away somewhere.Then I asked him why he became a theoretical physicist and he saidbecause he was angry at God.Hold on. Let me ask you something. Let’s say that for some reason you’rebeing interviewed because you have expertise at something. Someone, aHollywood screenwriter, say, shows up and you do a formal interview.And let’s say the interviewer starts out by saying something to the effectof how smart you are, but in doing so uses a word you’re unfamiliar with.Here’s the question: Would you stop him and ask what that word means?Neither would I.Why is that? Because our main concern would be how we’re perceived.This would be the case in any situation with a stranger, but especially inan on-the-record interview, and even more especially if the premise of theinterview is that we’re smart.Stephon did not care how he was perceived. Or, rather, he may havecared, but his need to know something, a truth about the world, minorthough it was, was more important.If people – you, say, plus me – worried less about how we’re perceived,we’d worry less about self-image (still another self word), too. Whichmeans we’d be less likely to believe untruths simply because they makeus feel more comfortable about ourselves. Please trust me on something:The belief in untruths is the primary reason why the world is so [screwed] up.In fact, all the reasons why the world is so [screwed] up depend on peoplebelieving untruths. I know that I’m right on this one thing.Stephon Alexander is not one of the reasons why the world is so [screwed] up,which is enough to make him special. In fact, that’s my definition of special,as in special human being. Someone who is not part of the problem of theworld being so fucked-up.And listen. Stephon Alexander knows some secrets of the universe. Trustme on another thing: That Stephon asked me what “dilettante†means andhow you spell it is as much a reason for his knowledge of some secrets of theuniverse as his astounding innate brain power, his intelligence.This angry-at-God thing. Stephon grew up in a poor section of the Bronx,New York. As a child he was confused by all the misery around him. Theconfusion led to anger at God, since he had been told that God createdEverything and Everything must include the misery all around him. Sohe wanted to understand how God could have done this. Stephon, havingbeen blessed with astounding innate intelligence, even as a young personsensed that he would not come to understand about God through studyingreligion or philosophy or anthropology. He was tempted by art, he told me,particularly the art of jazz music. But he decided to dedicate his life to physics,the area of it that looks into first causes. What happened in the beginning.If anyone ever comes close to a real understanding about God it willbe a physicist, someone like Stephon Alexander. It will not be a Popeor an ayatollah or a rabbi or a Buddhist in a monastery or some [screw]ballmother[etc] blabbing away on Sunday morning TV. The reason for thisis simple: Without knowing how things work—what causes what—there isno possibility of knowing anything else. It’s all just words strung togetherand circular reasoning and specious causation and made up stuff and othercrocks of [poop]. All of it.Another thing. That Stephon was tempted to dedicate his life to art, tojazz music, is significant also. In fact, Stephon does dedicate himself to jazzmusic, to playing it on a saxophone, when he’s not looking into first causes.To sum up: In seeking to understand God, Stephon Alexander looks intofirst causes and plays jazz music on a saxophone.I love that.Although he grew up in the United States, Stephon was born in theCaribbean, on an island. I believe that this heritage is part of what makesStephon special. The spirituality of his people. He told me a childhood storyabout his grandmother that gave me the shivers.The island on which Stephon was born is this island, by the way. The littleisland from which I write.#Anyway, it doesn't surprise me that Stephon has written a fascinating book on physics and Jazz music. Not at all. (That his unquestioning faith in Einstein's Relativity theories may be misplaced is a separate matter. Those interested should give Electric Universe theory a look, at thunderbolts.info.)
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